Welcome back to the I Am Anime website
Episode 3, “Asa Festival” edition. As I explained last time, I don’t think that it’s meaningful to draw dance and dance through animation, so I decided to use CG from the beginning. You might say things like, “Hand-drawn is the best!” or “It’s because you’re doing it with art,” but even if you create CG,
The staff actually went to Okinawa to perform by the real Gushigawa Youth Association members, and the dance motion captures were also made by taking pictures of the real dance!
Therefore, there is a considerable amount of effort involved in the artwork, so I would appreciate it if you could take a look at that.
Also, how did Itagaki fix the client (production committee) retakes? An example.
Suzu was urged to see Chondaler Kiyanbu and Teru (OFF) “It’s true. If you look closely, you’re doing a lot of things.”
The scene. In “TAKE 1”, there was only a picture of the taiko squad (first half of the current cut). Slowly. Naturally, please make sure to “various” the client says “Terru’s offline!” “They received a reasonable check and the directors and directors (who were there at that time)
This is a natural point, not just a luxury retake by the committee! What are you doing?
He adds a light sermon like this, and shows the movement of Kiyanbu instructing him to come over there, saying, “Well, I’ll draw it, so watch it, study it,” in the second half! He drew the rough hara and had Shino (Erika) write it down, and became the current “Chondara Kiyan, who does a lot of stuff.” This is what it means to create while teaching! In other words, if you can’t “demonstrate” it’s not convincing at all.
And episodes 3 and 4 are
Thank you to Nami Ui, a virtual Okinawa talent, for appearing!
So, episode 4. The “Kachashi” edition concludes the Eisa Festival. This is the dance of the main character, so the main character is the artwork. Thank you for your hard work to Shiozawa (Tomoe), who was in charge of the original original drawings, and Mori (Ryota) who helped with the corrections.
Higa-san is so cute when he spins around against the other person. His expressions, poses, and plays are all in charge of Mori-kun, and he uses everything except for character training as is. Oh, I was the one who added Higa’s feelings to the “Lightning Flash” by saying things like, “What? What?!” and “All of it!?” Is it a bit of a “te-kyu” mood? Actually, this part was originally drawn in a storyboard, so if the original drawings didn’t go well, I was planning to take it in as a “responsible cut,” so I’m as I imagined. I hope that Higa will be able to bring out a sense of happiness, as he is “a little jump in his heart ♡”. By the way, in terms of work, I drew one picture and thrust onto the new staff in the company, and with the extremely shortcut of performing the original and dynamic work at the same time, I managed to complete the delivery.
Finally, they dance together and Higa-san were edited by Shino-san. This one was also very good that they fixed the movements.
Now, let’s go back to “overcoming you” (sweat).
