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Episode 3 of “Okitsura” features a high-calorie episode with a Kachashi and an Eisa festival!
It will become. Now, looking at the storyboard, it seems that episode 3 has been revised quite a bit from the storyboard (the storyboard is all about me). By the way, this film is a general director system, and after the setting was placed, I was left to director Tanabe (Shingo), but when it comes to the storyboarding, I have been directly involved with anyone. I’ve probably explained this briefly before, but in other words, it’s not that the director makes the effort to make adjustments to the final stages of each episode, and then the general manager checks the adjustments, but only Itagaki does the work of fixing the content, including the director’s storyline. You may think he’s arrogant, but since there are only people at my company (Milpensee) who are not very skilled in terms of career and technicality when it comes to Conte, I have no choice but to take full care of him, and rather than spreading it to the mass-produced Contemen outside (freelance) people, it will be better to raise opportunities for young staff within the company and pack up their experience points for Conte. In the previous work, “Iserebe (I acquired cheat abilities (skills) in another world, I am invincible in the real world too)”, the book does not include itagaki’s name in the celebratory (?) sense, but it is essentially the same as this work.
I’ll fix the cover as much as I need it (fix it)!!
I do it in style. However, (although I think this has also been mentioned before), he explains the corrected parts directly to the person in charge of the conversation directly through logic, such as, “Why did you make this correction?” and “It’s easier to draw this cost-effectively.” This is my own theory, but whether it’s an illustration or a storyboard,
People who are in the position to correct the ups of others should be able to explain the reasons for the correction logically!
I think so. On the other hand, if you want to build up sensory and emotional images that cannot be explained logically, you should draw them yourself from the beginning.
So, episode 3, “Shisa Loves Teru” (?). Teru innocently says “Shisa cute” is truly a simple and nice guy. The cut in which Shisa stomps and scatters the commentary for “Shisa face” to anger, is based on the first half CG and the second half of the drawing. Originally, everything came up in CG, but when I saw that rush (photographed up), I found out that “I step on as much as I step on, then pick up a piece at the end and throw it.” In that case, the translation was “I don’t have enough punches!” and the director (director) and CG director said, “Sorry, I’ll re-draw it in the second half,” and I ended up making all the original drawings (I’m sure the middle part of the video was 1 or 2). Itagaki also completed the original drawing of Kiyanbu, who explains the male (male) Shisa from just before the screen and stands at the gate in overaction, and the revision of “Higa, who explains the female (female) Shisa” was made by main animator Ichikawa (Makoto), who has been in the company for three years.
And then it’s time to go back to “overcoming you”! (sweat).
